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OUT OF STOCK Heiner Stachelhaus
sediment. Mitteilungen zur Geschichte des Kunsthandels. Zentralarchiv des internationalen Kunsthandels ZADIK, Heft 17

Sediment 17 Cover

With its issue on Heiner Stachelhaus, sediment starts a new series of themes that introduce outstanding personalities of art criticism. Heiner Stachelhaus began his career in the 1960s, the heyday of art criticism, under the sign of the popularization and the democratization of art and the education of a broad public, all of which he mastered just as well as that of art critical introspection.

€20.00

  • Editor

    Zentralarchiv des internationalen Kunsthandels e.V. ZADIK in Kooperation mit der SK Stiftung Kultur der Sparkasse KölnBonn

  • Text

    Günter Herzog, Heinz Holtmann, Brigitte Jacobs van Renswou

  • Design

    Timo Reger

  • Language

    German

  • Details

    Paperback, 28 x 18 cm, 96 pages, 80 ills. in b/w

  • ISBN

    978-3-941185-69-2

About the product

With its issue on Heiner Stachelhaus, sediment starts a new series of themes that introduce outstanding personalities of art criticism. Heiner Stachelhaus began his career in the 1960s, the heyday of art criticism, under the sign of the popularization and the democratization of art and the education of a broad public, all of which he mastered just as well as that of art critical introspection. His monographs on Joseph Beuys, ZERO, and on others that Stachelhaus has put in a nutshell (Auf den Punkt gebracht), as well as the background to his activity from which came Nicht nor Verrisse (not only damning reviews), to name only two of his many critical anthologies, are as usual illustrated with a great deal of picture and text documents.